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DIGITAL


Veduta antica
2016, cm 95 x 150
unique work on plexiglass


Mare fiammingo optical
2014, cm 120 x 130
unique work on canvas


Esilio
2016, cm 30 x 40
unique work on canvas


Tracciati di luce
2006, cm 100x100
unique work on canvas


Onda
2009, cm 60x60
unique work on canvas


Terra di marmo
2005, cm 85x85
unique work on canvas


Terra a tre dimensioni
2010, cm 50x40
unique work on canvas


Riflessi
2010, cm 70x50
unique work on canvas


Vipera rossa
2010, cm70x50
unique work on canvas


Un mare di nuvole
2009, cm 60x60
unique work on canvas


Verdi abissi adriatici
2006, cm 90x90
unique work on canvas


Vento sull'Adriatico
2007, cm 70x70
unique work on canvas


I quattro elementi: Aria
2006, cm 50x50
unique work on canvas


Testo e commento
2006, cm 40x40
unique work on canvas


Fuoco diagonale
2009, cm 40x40
unique work on canvas


I quattro elementi: Terra
2006, cm 50x50
unique work on canvas


I quattro elementi: Acqua
2006, cm 50x50
unique work on canvas


I quattro elementi: Fuoco
2006, cm 50x50
unique work on canvas


Rosso Adriatico
2010, cm 80x80
unique work on canvas


La barca d'oro
2010, cm 80x80
unique work on canvas


Turbinio
2012, cm 60x60
unique work on canvas


Alto Riflesso Mediterraneo
2006, cm 50x70
unique work on canvas


Alto Diagonale Adriatico
2006, cm 50x70
unique work on canvas


Contrasti
2008, cm 70x80
unique work on canvas


Passaggio sulla laguna rossa
2005, cm 50x50
unique work on canvas


Caro Adriatico
2010, cm 40x40
unique work on canvas


Neve
2007, cm 40x40
unique work on canvas

Giancarlo Da Lio first in the oral, then in the written presentation of “Passeggiata effemera” exhibition at Montegrotto Terme: “ ……She is the daughter of our Venetian region for her cultural background and for the choice of her place of work ….. It is a work playing on the optical perception and above all on the ability to play on a semantic value of the graphic-pictorial sign with the corresponding meaning of the word as a completion of the writing itself. The amplified pattern enables us to discover what the artist has already discovered …… A discovery with a flavour of the ancient and the contemporary. The story of engraving like an explanation of European and Oriental Middle Ages which meet at the pattern line that direct all of us towards a dialectic form which make us mature. ……. A journey which is at its very beginning since the artist is full of energy, positively curious to discover. A curiosity that has stayed with her since her formative years.”